December 21, 2012
Just a short post wishing everyone a good holiday season, and a few interesting links to share:
And always a great read, the blog, âpihtawikosisân.
I’m going to be signing off from blogging for the next little while, but will be back when I can.
Be well, friends.
October 29, 2012
Q. How do three recent news stories about alcoholism, a housing crisis and a recent canonization intersect?
A. Through the discourse of reconciliation
When I started to become interested in the reconciliation process in Canada, I set up google alerts with the tag words “Canadian Truth and Reconciliation Commission” and “Indian Residential School.” I generally receive a few alerts a week about the commission and the IRS system. Often, they are articles that mention a TRC event taking place somewhere, or the announcement of an upcoming talk or event. Sometimes, it is an article about new curriculum, an approaching deadline, or about reconciliation processes happening elsewhere around the world. For the most part, I use the alerts to try to understand the IRS TRC’s media presence and how influential the discourse of reconciliation is (or isn’t) becoming.
This week, I got three alerts, and together I thought they represented an interesting intersection of issues:
1. A story about the first Aboriginal canonization. The title of the article is “It’s the same great sprit.” The subheading is “Canonization of Kateri is a big step toward true reconciliation, but the embrace could go further.”
2. An article about the one year anniversary of Attawapiskat’s declaration of a state of emergency (and the release of Alanis Obamsawin’s documentary about it).
3. A news release about Romeo Saganash’s public struggle with alcoholism. Saganash noted his experience in the Indian Residential School system as one of the factors that lead to a recent incident on an Air Canada flight.
The three articles landed in my email inbox within days of each other and cover a broad range of issues that touch upon the process of reconciliation: negotiating religious relationships, lack of funding and support for indigenous communities, and the after-effects of the IRS system in the form of alcohol abuse. In each case, the Indian Residential School system is raised in a different context, drawing attention to the many ways it touches indigenous (and non-indigenous) individuals and communities.
The article, written by Wab Kinew, about Kateri’s canonization is the one I find most intriguing. Here’s an excerpt, but I definitely recommend giving the full piece a read:
The canonization ceremony (Kateri is one of seven new saints) capped off a series of celebrations that brought indigenous North Americans into the Catholic Church perhaps more completely than ever before. The rite itself featured a prayer in the Mohawk language. The night before, at a special vigil for Saint Kateri, the cardinals, bishops and worshippers present smudged with sage and sweetgrass — this in the San Giovanni In Laterano Basilica, the “mother of all churches.”
Yet even as indigenous North Americans are celebrated by the church, there are signs the embrace could go further. During his remarks, the Pope noted that although Saint Kateri “worked, faithful to the traditions of her people,” she “renounc[ed] their religious convictions.”
The church views indigenous cultures as merely a host for the Catholic religion. This approach is called “acculturation” by Catholic missionaries. As one priest explains in the new film In Her Footsteps: The Story of Kateri Tekakwitha, acculturation is the process where the local culture becomes like a “prism” through which the “truth” of the gospel is revealed.
Talking to many of the indigenous people at the canonization ceremony, many of them residential school survivors, I don’t think this is what they have in mind. They speak of embracing Catholicism, but also of practising their traditional spirituality. It is precisely this pluralistic approach that made the inclusion of smudging and indigenous language so important to them. It is that same reason that motivated so many of them to wear their traditional clothing to Vatican City.
As Chief Littlechild says: “We can have both spiritual beliefs, although it’s the same great spirit and the same Creator.”
There was much talk from church officials this week about how Kateri’s sainthood opens the doors for new forms of evangelism. Pope Benedict himself called for a “renewal of faith in the First Nations.” This misses an opportunity.
The truth about reconciliation is this: It is not a second chance at assimilation. It should not be a kinder, gentler evangelism, free from the horrors of the residential school era. Rather, true reconciliation is a second chance at building a mutually respectful relationship.
October 19, 2012
Last night, I attended the opening night screening at ImagiNATIVE, the indigenous film and new media festival in Toronto. In short, it was awesome. Alanis Obomsawin’s first film, Christmas in Moose Factory (1971) and her most recent film, The People of the Kattawapiskak River (2012) were screened. I feel I could write a lot about these two films, about how well they communicate so many things that are often so hard to express, about family life, about challenges and resilience, about colonialism and injustice, but also about optimism and hope. But, these days, most of my writing is targeted toward the dissertation, so instead, I will simply say that they are two wonderful films that I hope people get to see. To read a review, check out Lisa Charleyboy for the CBC.
The festival has also integrated artwork into Toronto’s urban landscape. While waiting for the subway after the film, I saw that the public transit’s screens were showing artwork dedicated to raising awareness about and paying respect to the many indigenous women who are missing or have been murdered and whose cases remain unsolved. The art project is called the Stolen Sisters Initiative.
ImagiNATIVE is on until Sunday. Check it out!
More information on the Stolen Sisters Initiative from the artintransit website:
National Exhibition by Indigenous Artists brings Indigenous Women’s Rights to the Forefront
Pattison Onestop, imagineNATIVE and Amnesty International Canada co-present Stolen Sisters Digital Initiative (SSDI), a national project presenting four commissioned works that celebrate and honour Indigenous women and their contributions as strong, successful and valued members of society.
The four one-minute, silent digital works were created by award-winning, Canadian Indigenous artists: Jesse Gouchey and Xstine Cook (LIKE IT WAS YESTERDAY), Lisa Jackson (SNARE), Cara Mumford (WHEN IT RAINS) and Angela Sterritt (YOUR COURAGE WILL NOT GO UNNOTICED).
“I’m honoured to be selected to participate in the SSDI. It’s through art that we can express the human side of tragic social issues like this, so often lost in news coverage,” says Genie award-winning filmmaker, Lisa Jackson. “It’s an opportunity to recognize the women at the heart of the issue and to bring an awareness of the violence against them to a broader audience.”
SSDI will play on the Pattison Onestop subway screens to over 1 million Toronto’s daily commuters and nationally on 254 digital monitors in 33 shopping centres across Canada, at the Calgary International Airport, and TIFF Bell Lightbox leading up to and during the imagineNATIVE Film + Media Arts Festival.
The Festival’s SSDI webpage (http://imaginenative.org/festival2012/SSDI) includes details on mall and shopping centre locations screening the SSDI, a resource page featuring artists, issues and links to organizations to find out more about the history and movement surrounding Indigenous women’s rights.
“The passion of our partners, collaborators and artists to bring attention to such an important issue to potentially over 2.5 million viewers is an unprecedented opportunity,” beams Daniel Northway-Frank, Programming + Industry Manager. “To challenge our artists to marry artistic style and social justice is a new and exciting venture. We hope this initiative adds a strong voice and attention to the Indigenous women’s rights movement in Canada, and spurs action and awareness through creative outlets in other Indigenous communities and countries around the world, which sadly have similar experiences.”
The SSDI project started as a call by imagineNATIVE and its partners to Canada’s Aboriginal artistic community to conceive of a video piece creatively reflecting and responding to the Stolen Sisters, a term adopted by the Aboriginal community and larger social justice organizations of the struggle to find answers for the over 500 official (and arguably more) unsolved cases of missing and murdered Aboriginal women across Canada.
October 3, 2012
This past weekend, I had the honour of attending Reconciliation Work(s) in Progress: An Innovation Forum in Sault Ste Marie. It was a challenging, inspiring, and hopefully, productive event. Instead of conference presentations, the event was set up as a series of roundtable discussions where participants could have conversations about reconciliation (or conciliation as some participants preferred) and the role of art and artists in the process. On Saturday, most of the academics packed up to leave and the artists stayed behind for the “incubation” period. They were charged with the task of working through many of the points of conversation (and contention) that were raised throughout the few days of the event.
Sometimes writing a dissertation can be isolating. It can feel like you are busy creating relationships with books, instead of with people. The event in Sault Ste Marie encouraged connection and collaboration, as well as dialogue and art practice as a way to engage reconciliation. I’m looking forward to following the progress (and process) of the talented artists participating in this event. If you want to follow it too, check out ReWorks, the online site for the project.
In the meantime, I am left with the feeling that reconciliation is an act of creation. It is about new conversations and discussions, about creating new archives, producing artwork, dialogue and new relationships. The event in Sault Ste. Marie was not only about creative collaboration, but collaborative creation as one way in which the process of reconciliation can move forward.
August 9, 2012
I’m happy to report that an article I’ve written about reconciliation in Canada has recently been published in Culture, Theory, and Critique (Taylor and Francis/Routledge). It is entitled “Before Truth: The Labors of Testimony and the Canadian Truth and Reconciliation Commission” and appears in a special issue focusing on the “Crossroads of Memory.”
Here’s the abstract:
“Truth commissions are based on the premise that dialogue about past crimes, violence, and abuse can alleviate the suffering of victims and ease the relationship between oppressed and oppressor. They also assume a certain relationship between history and memory, presuming a duty to remember and the need for a re-articulation of history through memory. This paper examines the context and dynamics of the Indian Residential School Truth and Reconciliation Commission (IRS TRC) established in Canada in 2008. By exploring the uses of testimony at the IRS TRC’s first national gathering, the essay focuses on the interplay between constructs of nationhood and forms of public intimacy. In considering both the public testimony given at the gathering and the larger, nascent narratives formed there, the essay demonstrates how survivors participating in the IRS TRC negotiate and challenge colonial relations of power while also strengthening and repairing intimate, familial relations.”
The article is largely based on field research I conducted in Winnipeg in 2010 at the Indian Residential School Truth and Reconciliation Commission’s first national gathering. I’d be happy hear feedback on the article!
August 2, 2012
1. Memories of Conflict, Conflicts of Memory, Senate House, London, 12-13 February, 2013 (Abstracts due 1 November, 2012)
Institute of Germanic & Romance Studies
Faculty Institute of Graduate Studies, University College London
Centre for the Study of Cultural Memory
There are very few facets of public and private life that are not affected by cultural memories of war and conflict. Recent academic scholarship has also been revolutionised as experts on literature, cinema, history, area studies, sociology, anthropology and many others attempt to theorise the memory-narratives of the last century marked by unprecedented totalitarian regimes, coup d’états, military confrontations, popular movements and what Alain Badiou recently called the passion for the real.
This interdisciplinary conference will examine the various ways in which memories of wars and conflicts of the twentieth century are constructed, resisted, appropriated and debated in contemporary culture. The conference will provide a space for dialogue and interchange of ideas among scholars researching on memory issues related to different regions of the globe. In particular, we are interested in discussing the tensions between local and transnational memory-narratives, official and subversive forms of commemoration, hegemonic and alternative conceptions of remembering.
2. Local Memory, Global Ethics, Justice: The Politics of Historical Dialogue in Contemporary Society, Columbia University, NYC (Abstracts due 30 August, 2012)
The Alliance for Historical Dialogue and Accountability (AHDA) at Columbia University’s Institute for the Study of Human Rights will hold its first annual conference in New York City, December 11-14, 2012. The conference will be co-hosted by the Guantanamo Public Memory Project, and will also feature the Guantanamo Public Memory Projects’ first traveling exhibit and digital media as a shared international challenge in historical dialogue.
Historical dialogue and accountability is a growing field of advocacy and scholarship that encompasses the efforts in conflict, post-conflict, and post-dictatorial societies to come to terms with their pasts. In contesting nationalist myths and identities, in examining official historical narratives, and opening them to competing narratives about past violence, historical dialogue seeks to provide analysis of past violence grounded in empirical research; acknowledge the victims of past violence and human rights abuses; challenge and deconstruct national, religious, or ethnic memories of heroism and/or victimhood; foster shared work between interlocutors of two or more sides of a conflict; identify and monitor how history is misused to divide society and perpetuate conflict; enhance public discussion about the past.
This conference seeks to consider questions relating to these topics, and the state of the relatively new field of historical dialogue and its relationship to other discourses such as transitional justice, memory studies, oral history and historical redress., and. Little consideration has been given to the intersections of these discourses, and how these can be employed as tools in understanding the root causes of conflict. The conference thus seeks to explore the possibilities and limits of these concepts and methods, searching for unexplored connections and elaborating upon how historical analysis can be employed to resolve long-standing sectarian conflicts.
We seek to explore the genealogy of the discipline of historical dialogue as well as research emanating from it: how do the memory and history of past violence evolve over time, and how do they influence a given society in the present day? What is the relationship of advocacy to knowledge production and the relationship between history, memory, and contemporary society? What is the relationship of historical truth to testimonies in truth commissions, and how do truth commissions construct historical truth? How can the tensions that exist between dialogue and accountability be understood, addressed or reconceived? In what ways can one compare historical narratives in post (identity) conflict to post authoritarian regimes? What is the role of subjects such as gender, religion, human being and citizen in understanding historical narrative, memory, dialogue and accountability? Finally, the conference seeks to be a space of interaction and the exchange of ideas between scholars and practitioners who often do not have the opportunity to collaborate, and we welcome papers that address this divide or reach across these boundaries.
Proposals for individual papers, panels, roundtable discussions and digital media presentations will be considered. The deadline for submission of proposals is August 30, 2012. All proposals and questions must be submitted electronically via email to AHDA Program Director Ariella Lang at firstname.lastname@example.org. Proposals should include a 300-500 word abstract, your name and contact information, as well as a brief bio. Limited travel and lodging funds are available; applications for such funds can be made upon acceptance of your proposal.
3. Remembering, Forgetting, Imagining: The Practices of Memory 1-2 March, 2013, Fordham University, New York (Abstracts Due 15 November, 2012)
Keynote speaker: Professor Marianne Hirsch, Columbia University
“Modern memory is, above all, archival. It relies entirely on the materiality of the trace, the immediacy of the recording, the visibility of the image.”
This interdisciplinary conference seeks to explore the crucial role of memory in formulating our individual and communal identities, and to examine the scholarly discipline of memory itself. We hope to initiate conversations about memory as an active and ongoing cognitive process rather than simply a reaction to past experiences or a set of “facts” frozen in time. While memory purports to preserve the past in the present, it is inherently protean and unstable, and prone to fictionalizing. Indeed, memory and imagination are tightly intertwined; memory and ideology are closely bound; and our memory of what has come before constantly shapes our understanding of and expectations about what is still to come.
This interdisciplinary conference, then, will explore not only this desire to make memory sacred but also our ability to forget, to forget that we’ve forgotten, and to imagine the past in a way that fits neatly into our worldviews. These questions are particularly relevant in the wake of recent revolutions and social movements in the Arab World, Europe, and even the United States; learning to reinvent the past in a certain way helps us to reimagine the future, and thus inaugurate change. Consequently, we invite proposals that explore the various and variegated practices of memory as figured through literature, culture, politics, and scholarship generally.
We welcome individual abstracts of 250 words or panel proposals of 750 words, for three participants, to email@example.com by November 15, 2012. In addition to traditional academic papers, the committee encourages creative literary work, performance art, and multi-media presentations that in some way address the topic.
Presenters might consider, but are not limited to, the following questions:
• How is memory practiced through literature, art, film, or culture?
• Who remembers? What is remembered? What is forgotten? Whose voices are heard? Whose voices are suppressed?
• What is the role of “postmemory,” with its focus on the trauma of the past?
• How is memory understood in early eras, such as medieval or early modern?
• How do texts treat or reflect the past?
• How does the past help us prepare for the future?
• What is the role of imagination in memory or nostalgia?
• How is memory mediated by “memory makers” and memorials?
• In what ways has postmodernism influenced the study of memory?
• What is the role of psychoanalysis in memory studies?
• In what ways does the state repress and/or produce memory?
• How do neoconservatist or neoliberalist movements treat the past?
• How do memorializing objects—texts, photographs, monuments—produce and /or subvert an official state narrative?
• What is the role of affect in producing collective memory?